I’ve dabbled in lots of charitable efforts. Food banks, orphanages, meals on wheels, mission trips, non-profit thrift stores, “pay-what-you-can” cafes, Red Cross, Salvation Army, etc. And I don’t say this to paint myself with a saintly brush- Most of these I’ve done exactly once, and you’ve probably done more than me.
But Help Portrait is different than all of these, and I’ve been mulling for weeks trying to find the words to express why.
I think it’s because it forced me to see people.
There never really was a homeless problem in Dallas. There were a few here or there, but laws required police to pick them up and cart them away. Everything has to look perfect in Dallas, don’t you know. In Austin they’re everywhere. I think that was the first place I noticed them. But they’re everywhere in Denver too. It was here that I learned to ignore them. And that’s the whole story.
If you make eye contact, you’re responsible. You have acknowledged that they are there, that they are human, that you are human, that you are in a nice warm car, that they are out on the street, that you are clean and well fed, and they are dirty and probably hungry, and you have to make a decision as to how you are going to bring justice to that unspeakably huge gap.
Because I had the latitude to do so back in Texas, I developed a belief that the homeless were there by some unknown fault of their own. They had trusted obviously horrible people and should have known better. They had drunk away all their money. They had become drug addicts and couldn’t keep a job because they were high all the time. Without seeing the reality of their humanity, it’s easy to imagine problems that take the responsibility off your shoulders.
In Denver, you learn to not read signs, not notice men and women standing inches from your car. Eyes forward, don’t let them see you see them. But you know they are there. And they know you know. And you both play a tableau, the moral of which portrays you as someone who isn’t required to notice.
But they are people. You should notice.
I don’t think I fully understood this until a year ago, when I first volunteered for Help Portrait. It just sounded like a good idea to me. Taking pictures of the less fortunate? Spiffy.
But through the course of the day, I found myself tearing up multiple times. Not because there were sob stories that were being shared, or because these so-called “lower class” people were muttering “God bless you” as they shuffled off with a plate of food. It was because these people were being seen to a degree that they were not used to, and they were blooming under the light of simple gazes. They were seen, and they were seen as people, and they were worthy of being captured on film to be shown to whoever for eternity. That made for incredibly beautiful pictures, and tangible equality.
Everywhere you looked there were smiles and flash bulbs. Everything sounded of laughter and shutters, and it was the most beautiful thing I’ve ever had the privilege to be part of.
If you have any ability whatsoever to do so, I can’t push you hard enough to join in with your local Help Portrait group. Go here to see if there’s a group in your area. Most places have 2 hour shifts, so you don’t even have to commit your whole day. If you’re in Denver, come to Our Savior’s Lutheran Church on 9th. Set-up starts at 8:30, with plans to be out by 6.
If you can’t or choose not to go to Help Portrait, I beg you to at least try to take notice of those who you’ve been avoiding. No matter who they are. And let me know what you see.